Musicals in the West End Essay Example | Topics and Well Written Essays - 1750 words

Musicals in the West End - Essay Example out front presenting any logical argument, it is inherent to carry out a practical check on the visualises presently running in the West End theatres and those seamed up for production later in the year. According to the London Theatre Online by Darren Daglish, there are 23 musicals, 13 comedies, and 11 dramas (or straight plays if you like) currently running. Mathematically, this translates to 48% musicals, 28% comedies, and 24% drama. At this point, one might conclude that there many musicals shows than the separate two classes. However, there is a list of shows lined up for production this year, including 9 musicals, 11 comedies, and 37 plays or 16% musicals, 20% comedies, and 64% dramas 2. Clearly, plays still dominate the theatre time if these statistics are anything to go by. While there may be repetition of some musicals such as Billy Eliot, Blood Brothers, and Jersey Boys, there is a relatively a few(prenominal) number of repetiti on of plays. Actually, there are fifteen musicals repetitions with only six repeated plays. Thus, it would be inaccurate to say that the West End harbours more musicals than other subsidised theatres. However, one must bear in mind that musicals have relatively long runs than plays. Thus, there may not necessarily be a 64% increase in the number of plays. Dominance of musicals Another interesting statistic is that about two-thirds of the straight plays currently showing or planned for production show in subsidized theatres, with only seven and two musicals. Therefore, there will be around 30 musicals, 17 comedies, and 16 straight plays in the mercantile theatres. Certainly, this is not a show of unhealthy competition and dominance by musicals Essentially, the dominant nature of musicals in the West End theatres is a perception sort of than a matter of fact. To prove this practically, try asking any average person about any showing musicals in the West End theatres and bulk will r elate Billy Elliot, Jersey Boys, and The Lion King 3. The person may also mention Cats and Les Mis, and probably Beauty and the Beast. Similarly, ask the people to mention a few straight plays in the same theatres would probably respond by naming just a single play and add the typic some Shakespeare. This highlights the enormous interest that the public has for musicals as compared to straight plays at all levels, with the exception of real theatrical devotee